One Piece Chapter 1114 Manga

One Piece Chapter 1114: “Wings of Icarus”: In this chapter, Vegapunk continues to broadcast his message, shedding light on the mysterious Void Century. However, he admits that his knowledge is limited. He introduces a figure from 900 years ago: Joyboy, a young man from the ancient Kingdom who possessed the extraordinary ability to stretch. Additionally, we encounter the enigmatic Mother Flame, submerged in an underwater tank. Throughout the chapter, people worldwide react to Vegapunk’s revelations. 🌊🔥🌏

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Showing posts with label drake. Show all posts
Showing posts with label drake. Show all posts

2024/04/14

Drake's new track "Push Ups" targeting Kendrick Lamar

Days after J. Cole decided to withdraw his track "7 Minute Drill," which contained veiled jabs at Kendrick Lamar, from streaming platforms, a response from Drake has appeared to surface online in the form of "Push Ups (Drop and Give Me 50)." In this leaked four-minute track, Drake not only fires back at Lamar but also takes aim at several other rappers associated with Top Dawg Entertainment. Although the track emerged on social media without official confirmation from Drake, his recent Instagram story featuring a Kill Bill image adds credibility to its authenticity. 

 

Drake's new track "Push Ups" targeting Kendrick Lamar

Additionally, Spotify/RapCaviar billboards in New York City reading "Hip-hop is a competitive sport" hint at a potential official release on digital streaming platforms. Drake begins by addressing Future's lyric about not trusting someone, asserting his long-standing support for Lamar's career. He then shifts focus to Lamar directly, questioning his credibility. He continues with verses targeting Maroon 5, Swifties, and a directive to Top Dawg Entertainment to release new music promptly. The lyrics take a sharper turn as Drake calls out Metro Boomin and The Weeknd, criticizing their actions and decisions. He also shares his perspective on J. Cole's recent decision to retract his diss track, dismissing it as ineffective in escalating their feud. While "Push Ups (Drop and Give Me 50)" has yet to officially debut on streaming platforms, the signs suggest it may be released soon, possibly accompanied by further tracks.

2022/10/12

Lollapalooza South America 2023 Lineups

Lollapalooza has unveiled a stacked lineup for its 2023 festivals in Chile, Argentina and Brazil. with the likes of Drake, Billie Eilish, Lil Nas X, Tame Impala, Rosalía and the newly-reunited blink-182 headlining. The Chile and Argentina editions are both set to take place on March 17 to March 19, 2023 at Parque Bicentenario de Cerrillos and Hippodromo de San Isidro in Buenos Aires, respectively, while the Brasil festival will take place on March 24 to March 26, 2023 at Autódromo de Interlagos in São Paulo. Also joining the six headliners are the likes of The 1975, Omar Apollo, Fred Again…, Danny Ocean, Dominic Fike and more.

 




Consequence adds that the festivals will mark Eilish and blink-182’s first South American performances, as well as The Boy’s first shows in Argentina and Chile. One of the biggest highlights of Coachella 2022 was when day 2 headliner Billie Eilish brought out Hayley Williams for a surprise acoustic rendition of Paramore’s biggest hit, “Misery Business.” Not only was it (egregiously) Williams’ first-ever performance at the Indio, California festival, it was also surprising given Williams’ previous stance on the popular and beloved track. Back in 2018, Williams announced she would stop performing “Misery Business” live due to a misogynistic lyric that now conflicted with her feminist beliefs (the lyric in question: “Once a whore, you’re nothing more”). And it turns out, Williams’ would’ve continued to keep that promise until she changed her mind last minute. In a revealing new interview with The Guardian, the Paramore front-woman revealed that she actually tried to talk Eilish out of performing “Misery Business” ahead of their performance together. Ultimately, she gave in to the request after realizing that the performance and the song was bigger than her and her own beliefs about it. “It shouldn’t be about me,” Williams told The Guardian about her decision to change her mind. “People grow and learn. I’d already called myself out and done a lot of work on the misogyny I’d metabolised as a young girl.” In the interview, Williams said that a lot of her previous opinions about “Misery Business” have changed in general, citing her new perspective on the song as a result of the five year hiatus Paramore took as a band from 2018 until now. The distance gave Williams a chance to redefine her relationship to the band and its influential catalog of music, including with its most controversial song. “Only now that we’ve felt lighter about the band, it’s like I don’t feel defined by that song,” Williams added, telling the Guardian that she now thinks of “Misery Business” in the context of when she invites fans on stage to perform the track with her and “live their best life for three minutes.” “That’s what I feel defines our band, not these dramas and: ‘Is Hayley the perfect feminist?’ That was very heavy for a long time,” she said. This realization also inspired Williams to write about this exact topic for a song on the band’s upcoming sixth album, This Is Why. The song explores “how you can’t control someone’s perception of you,” Williams told Guardian. “How it feels to accept there are moments in your life where you were the bad guy or you said something that you didn’t even really believe – Misery Business – and that comes to define you for some people,” she continued. “What can you do except continue to grow and challenge yourself? The lightness that has come with that has been really cool.”